Archive for inward

preparing

I’ve been reading this book that talks about the many phases that we go through to become centered, complicated, purposeful adults, and I was feeling hard on myself yesterday for my faults. I’ve been wanting so badly to be the perfect vessel, but I’m not. I have so much work to do.

But I came upon this convoluted thought that gave me peace. We are given experiences that help us to grow, and they come when they should come. So the very nature of pregnancy is inherently conflicted, because a baby comes into a life that needs it; if it needs it, it must not be the perfect vessel yet. This baby will help me to grow into a better mother, and I can’t be there yet. We are all learning together.

blues

I never get to use these colors, unreal blues. My eyes miss them now. I want to make a painting that holds these colors, or paint a room that surrounds me with them.

bluesblue greensunset in frederiksted

stern

I think I am too good at looking stern and serious. I want to understand better how to relax and enjoy.

What to Expect

When you sleep, sweat collects on the back of your neck and in your palms.

Dandelion fur floats along your jaw in the spring but you can only tell at sunset, the sun sideways making everything fat.

Mornings you will not make it up a hill but it’s not your fault: you are 150 percent more plasma, more palms, more psalms, which does not feel like blood but more like children on your ankles.

Your face will look like the face of 2003, beer-swollen and hopeful. You will look up at the sky as you chew.

As if in hibernation, food will collect in the backs of your arms and under your chin and in your breasts and thighs. I am sorry, but you will not be able to zip up that dress. You will sit there on your bed alone with the dress unzipped, chewing. Light will dapple your thighs like an invitation. Your humor will not reply.

You will eat four eggs in the morning alone, alone. For lunch you will eat with the dogs, apples and cheese.

Your veins will tell everyone’s eyes where to go, to follow the map of unnamable tributaries: nipples swell and they do not descend like airplanes. Nipples swell like they are supposed to so you may turn away. You will sleep.

You may slam the porch door. There will be a thick boundary, a corset pulled taut like a failed parachute wrapped around you. All love is an intrusion.

You will sleep and dream in color of rhubarb and demons, and you may wake screaming.

When you lie on your back your right leg goes numb but not your left one. When you walk your left thumb goes numb but nothing else. When people need something from you your heart may be cold, no longer inside a diplomat but in a castle with a thick moat, your words like chain mail around your stomach.

While nearing the end of a book, you will cry and then sleep with that book in your arms, your breath a rhythm that makes the words a baby that doesn’t end.

the inheritance of loss

When I was young and read a lot, wedged between my bed and the wall, I would not let myself look at the back of the books because I didn’t want to know what the plot was. It seemed to cheapen the story even then to sum it up as a plot. A book to me even then wasn’t about that — it was about falling into another space, getting inside another person’s head, being filled with language.

When I’m on long car rides with Rosie and Steve, we get books on tape that tend to be mysteries with a plotline that makes time scurry: quick to the end to see who did it, quick Illinois, Iowa, disappear Ohio. But I need Rosie and Steve to tell me what’s happening: I can’t follow plot very well. I get caught up in the cornfields, then pulled into the language, tone, the funny voice of the narrator and what accent he uses per character and whether or not he sticks to it. I wonder where the paragraphs are, I think about kinds of clouds, I wonder when the next McDonald’s is and what the name is of the river we’ve just passed.

I read Kiran Desai’s The Inheritance of Loss twice. The first time I read it, I didn’t know who any of the characters were. I got to the end and truly had no idea what had happened, though I didn’t care, I just loved to read the book: I would read passages, stop to think about poetry, read some more, get absorbed into the details of the house and the land. There is so, so much detail in this book — it made me feel sometimes like it could be poetry, and that I was wasting my time with line breaks. I did often have to stop to write, I felt overcome with the beauty of the language. –And there are also a lot of characters and time shifts — too many for my sorry plotless brain. I confess that even on the second read I finished not quite knowing the relation of everyone to everyone else (this is my fault, not the book’s).

I finished last night at one in the morning and I felt that feeling that the best literature gives: sort-of tearful, full, sad for this crazy world, in love with language and, truly, its near-omnipotence, in love with humans and our potential.

(Here’s a passage.)

The cook sat with a letter in front of him, blue ink waves lapped the paper and every word had vanished, as so often happined in the monsoon season.

He opened the second letter to find the same basic fact reiterated: there was literally an ocean between him and his son. Then, once again, he shifted the burden of hope from this day to the next and got into his bed, hooked onto his pillow — he had recently had the cotton replaced — and he mistook its softness for serenity.

In the spare room, Gyan was wondering what he had done — had he done the right thing or the wrong, what courage had entered his foolish heart and enticed him beyond the boundaries of propriety? It was the bit of rum he had drunk, it was the strange food. It couldn’t be real, but incredibly, it was. He felt frightened but also a little proud. “Ai yai yai ai yai yai,” he said to himself.

All four inhabitants lay awake as outside the rain and wind whooshed and banged, the trees heaved and sighed, and the lightning shamelessly unzipped the sky over Cho Oyu.

water

I remember once when I was seven or eight years old coming in from a long summer day of running around outside. All that running, sweating, it was dark out by the time I made it inside. Then being at the bathroom sink with a cup and filling it up with the coldest water and drinking it all, the whole cup in a few sips, then doing it again, then trying to do it again. Water when you really need it tastes like nothing else. Not a taste, a feeling: all my cells stinging with gratitude.

One of the best parts of being pregnant is that I get that feeling every day, every glass of water I drink. Each glass is the best water I’ve ever tasted.

my pool

This past year been so difficult, more difficult than I can realize in the moment. Maybe I would do horribly in Iraq, or maybe my body has responded as it should to trauma: I have been clinging to the edge of the pool. I couldn’t see it until I was flying down the Pacific Coast Highway, feeling both terrified on the cliff and alive by its beauty. I felt that feeling in my fingers then, how tired they are from staying so stiff on the pool’s edge, creeping along, afraid to let go, my knees bumping up against the rough wall. It feels good to let go sometimes now, just a few inches from the edge.

tired

So tired. It’s part of the hormones and I’m not concerned, but it makes me feel bad for people with iron-level problems or with mono. I can’t make it up the hill by our house without holding Steve’s hand to keep up. I sound like there’s no oxygen inside of me at the slightest amount of exercise. I have to pause halfway on staircases. Getting from a seated to a standing position involves lots of gripping onto things around me. I try to be graceful, and usually I look fine, just slow. Today I asked a man at the grocery store where something was, and he belonged in the Olympics he walked so quickly to show me and I barely could keep up. It was an exhausting enough outing that I went home and fell into a nap. I feel like I live in San Francisco, and it’s beginning to make me not want to go downstairs or take walks downtown, it just takes too much out of me. We walk each morning and I haven’t fully recovered until noon. So tired, conversations wear me out. Having to both focus on a human being and think at the same time and also articulate something smart and funny is all too much for more than a few minutes. I feel like boring company. My brain feels covered in gauze. I forgot what I’m saying part-way into a sentence. I have to go to a play tonight and it starts at 8 and that sounds so late. I don’t know how other people manage, but I’m only interested in what I can eat next and then where I can sleep. Apologies for the boring company. Let’s order a pizza.

big thoughts

I’ve been trying to understand why we have children. I know why very simply without thought, I just feel it in my chest: hope. Hope for the future of this species we’ve kept alive so far.

But also there is something about dreams and success, I think. But I think of my mother and how she took herself out of the center of her life to raise us — made our needs first. And of my mother’s mother, and how she made her children’s needs first so that they could be the best they could be. And of my mother’s mother’s mother and how she did the same. All to get to me, who in a fractured way will do the same. And I sort of wonder if, when I was born, my mother hoped for me that I would grow up to be a good mother, if that was her greatest hope for me. We all work so hard to provide for our children and then die while our children grow up to work so hard to provide for their children and then die while their children work so hard to provide for their children and then die. That is simplistic, but the patterns is sort of realistic.

And I remember when I graduated from my first graduate program and I came home for a weekend and my dad said that he was so proud of me, that it was clear I could do anything I wanted to do, that I was capable and smart enough. That was his pride. But I felt all that and I also felt that I wanted to be a mother. And being a mother means surrendering your body and self and time to raising new people who must be the center of the universe at the expense of all else. At least for a time. You’ll be well suited to motherhood, my father said recently, and I was honored and I know that it’s true — but I also wonder if that makes him proud of me. If he worked so hard to provide for us so that I could be a mother, be a body and raise another who for years will speak in sparse sentences and turn my brain a little mushy, at least for a while. and I also couldn’t help but wonder why no one realizes that I’m already in motherhood — that I’ve been raising a girl and her brother and two dogs and two cats for almost six years. And I’ve been doing all this while also writing books and going to graduate school and becoming the person who my father thinks can do anything — anything except gracefully accept the fate of an infertile spouse, which left me primally aware of my purpose in life and that writing books and living in the studio and mothering someone I didn’t get to know from birth didn’t make me feel fully complete.

This is all convoluted, I’m aware. But I asked a friend recently why we mother — she doesn’t have children or inherited children — and she said that we are evolving. Each generation is better than the last. When my mother’s mother was parenting, there were no books to help her. Freud cracked open the psychology of the mind and the effects of childhood, and that has led us to realize the power of early influence which has spawned a library of parenting books that help us to raise a better generation. I was talking this weekend to someone who is writing a book on the 18th century, and he said that in the 18th century, most people walked around half-drunk because the water they drank was in beer — fermentation was the best sanitation process they had. All those drunk people couldn’t work as effectively and couldn’t parent or birth such healthy children. And many people died, either in childbirth or from a then-prevelant disease that we don’t even think about anymore. From there look where we’ve come.

But also look where we’ve come that our planet is wobbly and we’ve managed to create greenhouse gases and nuclear bombs and pesticides. In this way we are worse than before. I remember reading in Annie Dillard’s For the Time Being that every generation — every generation, quoted back until before Christall felt that the generation following theirs was worse. I look at my childhood and then I look at Jack and how, for all his beauty, he gets too sucked up in video games and television, which we didn’t have. He doesn’t have as much homework as we did, and, because parents of our generation tend to hulk over their children and not let them have the space of childhood, children don’t know how to handle responsibility and freedom as well and end up hyperparented and doing worse in school. Children these days, it seems to me, have it too easy. They get carted everywhere. We’re too afraid of kidnappers and so don’t let our children fly down the street on their bikes unattended, learning from their own scrapes, finding their own creative ways to bike back up a hill. Children these days are more prone to diabetes, filled with more junk food than before, stuck in their houses, raised by babysitters because their parents are both at work.

I am being dire and simplistic, I know. And I don’t have an answer. I don’t know if each generation is better than the one before. But I believe in my future children. I feel the hope of the next generation with everything I eat, everything that’s being turned into a new human being, all the organic bananas and asparagus and arugula that remind me to hope again, sometimes it seems in spite of everything. That hope is my biggest job, and it makes me feel like I can do anything.

children’s books

I was thinking yesterday about children’s books and how tactile they are. The beautiful ones win awards, no matter the subject matter. They can be repetitive as all get out get out get out, and that makes a child somehow love it more. And in the age of digital media, when books might really be transitioning to live inside a computer screen, this cannot happen to children’s books. There is too much nostalgia embedded in childhood for parents to read to their child a bedtime story from a computer screen. And because children learn through their hands, and computers are too expensive to offer up to them. And because no matter how much we think we can live in front of a computer, there is something so peacefully social about wandering into a bookstore — alone with many people around you, and I do buy books for their covers: the image on a page has different color qualities and I receive it differently than an image on a screen. It makes me want to make the most beautiful children’s book, because, like car washes, to take a random example, it’s a form that can’t be subsumed to the online world.