Archive for March, 2009

Long post

To adopt: which we will do, I believe. I never thought that if faced with infertility I would take cancer-causing drugs and give thousands of dollars to a hospital that I could have put into having a child that already exists. It is inelegant and unpoetic and forced.

We will adopt, but I want to do this first — one does not preclude the other. I had to understand in myself that this need to have a child will not go away–it may fade, but it will come back. It is part of why I am on this planet, and I feel that in my body — that it will revolt if I don’t let my body do what it was meant to do. And because the infertility isn’t my fault, I fear that I will feel resentment and defeat if I don’t try.

Rosie was taken from her mother as a child just about every other night, and her attachment issues are still a part of her character. Children, I believe, are meant to be near their mothers, at least until age three or so. I think joint custody is a strong idea and in many ways effective, but from what I have seen, it is unnatural to remove a baby from her mother when she sleeps.

I have heard that the cry of a baby taken from its mother at birth is different than any other cry. Maybe that’s not true, but the idea haunts me. Moby was taken from his mother too soon and there is nothing I can do to comfort him when he is tired and groaning, suckling a blanket to sleep. Lucky, our white cat, was taken from his mother too soon and he never learned how to retract his claws or how to self-soothe. Joon and our black cat Roxy were not taken too soon and there is something about their core that is sturdier, less neurotic. I am not ready to make a new baby go through this trauma just because I want a baby and the mother thinks at this moment that it’s best to surrender hers.

To adopt domestically, many of the babies have been created in a body that also houses drugs, alcohol, McDonald’s, and no prenatal vitamins. I know too much about the value of the perinatal environment and its effects on the baby throughout its life. I am not willing to raise a child who I cannot help, whose brain is too handicapped by drugs before birth. I want the control of growing a child in the best environment I can give it.

Many children born unwanted in this country are not born into conditions of true poverty–poverty like the kind I saw in pictures when I was young of Ethiopia. Some are born into conditions of extreme adversity, but I’m not sure if adversity is a bad thing. Leonardo DaVinci was born out of wedlock by a poor woman. I’m not sure he would have left such an extraordinary mark if his life had not asked so much of him. Who am I to say that the life I could provide for a child is any better than the one he was born into just because I currently have more resources to protect him from most harm? And who am I to say that protecting a child from poverty is better than letting a child stay with its mother? And if what the mother needs is money, then shouldn’t I give my $20,000 to her directly instead of taking her baby away?

And where are the grandparents or sisters or aunts? If a woman undergoes such a trial, I believe that first it is the family’s job to rally together and raise the baby inside its own culture and country. If Rosie had a baby at a young age, I feel right now that I would raise it for her in an instant.

Some of the children offered through domestic adoption are birthed by women who are 14 and rich, whose parents are asking the young woman to make this choice. Some are not so young but already have a child or two and do not feel they could provide for a second or third. I know a girl who had to give away her child at age 14 and she never recovered. She kept a photo of her baby by her bed and stayed there powerless. I have a friend who had a child out of wedlock and the man ran away and she had no job, no money. She could easily have given up her child for adoption, and her life would certainly have been easier and the child’s possibly, too. But she kept her baby, and she is changed for the better because of it, and her boy is brilliant and ebulliant. Steve, too: when Rosie was conceived out of wedlock with a woman he did not want to marry, he says he wanted to abort. But now he feels that his life was spiraling out of control and that his baby grounded him, connected him to himself, helped him define himself more clearly. Perhaps it is dramatic, but both he and my friend feel that without their children they may have died–even though at the time they felt nealry certain that they did not want the fate they were given. Who am I to say that I should take a child away from an unwed woman who feels terrified and unprepared? Perhaps what she needs is counseling or a little money instead.

I already know what it’s like to be the second mother. I have already adopted. In many ways I have entered a situation that is more difficult than adoption: I came so late, I had to attach myself the best I could, and the birth mother is right there reminding me of my second place. I do not want to go through this life without knowing what it is like to birth someone, to be their only mother, to create her out of my own dna. I feel that I have experienced this form of adoptive love with all my might, and I am glad I know this feeling — but I need to be the first mother to know what it’s like, especially if I have the opportunity to.

To adopt internationally is at first admittedly appealing because it is exotic. A beautiful Chinese baby! My mom loves Chinese babies! But there is so much more involved in this decision. While I do not consider myself untraveled, I do not feel attached to another country. I’ve not even visited China or India or Africa. I don’t have Chinese drawings in my house, and I have never dated anyone from Africa. I had many friends who were Indian-American in college, but my relationship to India feels too removed and stereotypical: I like yoga, I like curry okay, garlic naan makes me gassy. I have read that one should not adopt from a country if they would not consider dating the race of someone from that country. I would, it’s not that, but I once tried to date an African-American boy in junior high and I wasn’t allowed. It makes me feel initially uncomfortable to bring someone from Darfur into my home to be my everpresent child and my parents’ grandchild when I know it might be awkward for them.

That would not be enough of a detractor — I have certainly made them grow up plenty with the choices I have made for myself that they have had to live with — but I do not think that it is perfectly okay to remove someone from their culture and put them into a home that has no trace of their home. And I don’t think I could throw myself into Kwanzaa. I would not suddenly know or want to know how to cook authentic Chinese food. I don’t really want to learn Vietnamese. And I don’t want a child who is from Korea to not be able to talk about his roots. My culture is not better than his, and if he lived under my roof I would not want him to feel that he has to ignore where he came from and his differences and how people, for better or worse, treat him because of all this. A baby was baptized in our church last year and she was Chinese and her parents were white. The woman was overweight and had shoulder-length hair and wore a kimono fo rthe occasion. I haven’t seen them since. Another child who was adopted from China to white parents makes fun of people who are Chinese by putting her fingers at the end of each of her eyes and pulling until she’s really-really squinting.

Lately when I see people in town, I ask myself if I could be their parent. That overweight Chinese boy laughing in the Thai restaurant with his Chinese friends, could I love him? Could I love the Indian with the serious look waiting at the busstop? These babies grow into adults. These adults will have friends that are most likely people who look like them. To adopt someone from clearly another culture is to adopt a whole country, and I don’t have one that I am drawn to more than any other.

Genes are a lot of who we are. And it’s a lot of what we talk about. I look at Steve and I see his father. When I go home to my parents, we sometimes talk about our ancestry. I know in my maladies what is genetic and what might be. I know that twins separated at birth grow up to be remarkably similar. I am not yet ready to accept that my child I adopt will be very much not me and that there is nothing I can do about it. I have already raised someone who is very much not me.

I know that  a lot of this is simply fear of the unknown. I have to talk to people who have been adopted and who have adopted — not just those who have newborn adopted children, but those who have been through the teenage years and come out the other side. Many people who have been adopted go on to adopt, so I know it must be a powerfully beautiful experience for many — well worth the struggles. Maybe I’m just not there yet.

trust

I need this word tattooed on my hand.

swans island blanket

I have one of these, a Swans Island throw. Wool, hand-woven in Maine. Mine is grey.

I wish I were more patient / had a more peaceful relationship with time / enjoyed repetition — so that I could weave one.

sleep

Last night we made cheese fries and watched Arsenic and Old Lace. We went to Kroger and raided that store: everything our organic food store doesn’t have, we were giddy throwing Velveeta and Spaghetti-O’s into our cart.

I ate maybe ten fries and left the plate full, and the movie wasn’t so good, and we didn’t get started until 10:30 p.m. anyway: I fell asleep with one dog in my arms on the couch and one dog at my feet. I awoke and the plate was empty of fries and Moby was upstairs hiding.

Steve was asleep on the floor beside me. We have never fallen asleep like this downstairs. I crawled onto the floor beside him and he covered us with a blanket and we stayed like that until the middle of the night.

Then I awoke suddenly and brought us upstairs, and the moon was pretty much in the same part of the sky as it is at midnight. The moon has been so, so bright, one night this week  I had to close the shades to sleep. The dogs took their places beside me on the floor and we turned off our alarms and slept until 9.

We have been so tired, sometimes in the day I feel like I am sleep-walking or like I am made of dry cardboard. In mid-afternoon, Rosie and Jack walked in the door and I felt the life in them, curious and so awake and chaotic. It made me feel like myself again.

family

butternut squash

last night we made butternut squash soup with homemade apple tortellini. it took two and a half hours. i’ve never made tortellini before and we had to learn how to make the dough, roll it out, and exactly how to curl it into the pillowy tortellini shapes. rosie helped, folding each dough circle in half and in half again, then pinching it around her finger fifty times. i used three butternut squash, long like a bellhorn or conch shell. when i shaved off the skin it glowed an otherworldly orange, like stained glass.

parents used to spend more time in the kitchen, there are statistics about this i can’t remember now, preparing from scratch the material out of which our bodies are made. women turn food into babies, and then we all turn food into our own bodies again and again. that felt true last night. it also felt true that we turned that time last night, time which is immaterial, into family. each afternoon i pick rosie up from school, and then i make dinner, then she does her homework, then we take her to her mother’s house so that she can sleep in one bed. home is where you lay your head, i know that, rosie knows that, but family are the ones you share food with.

studio, friday the thirteenth

red stringdead flower jennifer gaverotten orange cut open

- compositions that travel across a wall instead of a page

- mini-compositions inside non-quadrangles: the aura of paper around objects

- color!

- but not too much color not too much color

- drawing something that no one can say i drew wrong because they never saw it

- stress-free drawing, carefulness without anxiety

- the periphery of paper

- when something is both specific and abstract, both part of this world and unnameable

deep red bells

“The Winds” by Sasha Frere-Jones in the most recent New Yorker made me love Neko Case even more. Frere-Jones knows so much about music, and he isn’t pretentious, he just loves it intelligently. His perspective on the world in general feels smart, compassionate, and finely detailed.

Case’s words are more like passages from novels than like country lyrics. “Girl with the parking-lot eyes, Margaret is the fragments of a name. Her bravery is mistaken for the thrashing in the lake of the make-believe monster whose picture was faked” are several lines from the languorous and stately “Margaret vs. Pauline,” a song I hear as a description of the sisters from Marilynne Robinson’s “Housekeeping.”

When Case returns to her comfort zone—mid-tempo to slow—the music has a different feel, slightly wilder and heavier than before. “Prison Girls” could be a story about the assassin Anton Chigurh, from Cormac McCarthy’s “No Country for Old Men”: “Who am I tonight? My hotel room won’t remember me.” Or maybe this singer has been captured: “The prison girls are not impressed, the ones who have to clean this mess. They’ve traded more for cigarettes than I have managed to express.” When Case and her backup singers join for a group chant of “oh, oh, oh,” there is more than a hint of the chain gang amid all the reverb. But this outlaw doesn’t return to guilt, or vengeance; the song’s recurrent phrase is “I love your long shadows and your gunpowder eyes.” And since we’re switching among the human, animal, and physical worlds, it seems fair to say that shadows in “Middle Cyclone” remain even when the light moves.

in between

i remember when i worked in philadelphia and my boss was undergoing ivf. she was in between her first and second / last round of ivf when people started asking her when she was due. she told them that she could point to the exact ben and jerry’s ice cream container that led to her new stomach. i understand now. when your whole self is moving toward filling that space of the stomach and then it doesn’t happen, the body is already moving in that direction and to turn back is a version of failure. i feel enormous, and my trashcan is filled with ben and jerry’s containers.

..
every tuesday night we take rosie to her school tutor in dexter. we drive in the dark, drop her off, and then drive to a parking lot nearby and sit and read our new yorkers for an hour, the car still running to keep us warm, the dogs sleeping on the backseat. i think i am okay, then i realize that actually what we are going through is a lot. we knew this last night when we both fell asleep instead of reading. we dropped her off, drove to an empty parking lot, then i touched his head very gently, pet his head like a dog really. we both fell asleep that way, listening to the rain. we woke up a little bit late to pick her up.
..
we have been (waiting and) wanting inordinately. nights especially. not one flavor of ice cream but two. last night not sugar but salt. not popcorn but nachos. we don’t have any nachos! our cravings are as particular as a stereotype of a pregnant woman’s. we nearly drove to kroger to buy nachos and cheese last night, but settled on toast with cheddar, heating up our oven too late at night. this is our in between time, filled with so much expectation.

..

just after midnight, i stood on our front stoop and listened to the rain, feeling on the precipice of both spring and sadness.
in between

disguised fruit

Atelier Lzc Disguised Fruit paper placemats: so many gradations of one color, and sort of like a botanical drawing but with screenprinting-like overlaps and repeats. Almost like a list poem actually. It’s almost haphazard, but that huge watermelon/brain in the near-middle saves it from being too wallpaper-y.

seams

“Once it was broken and mended, however, that order was disrupted by bold zigs and zags of gold, along with a golden crescent where a piece of the original rim was replaced. Because the repairs are done with such immaculate craft, and in precious metal, it’s hard to read them as a record of violence and damage. Instead, they take on the look of a deliberate incursion of radically free abstraction into an object that was made according to an utterly different system. It’s like a tiny moment of free jazz played during a fugue by Bach.”

Washington Post article by Blake Gopnik, exhibition, Freer Gallery: “Golden Seams: The Japanese Art of Mending Ceramics”